Title sequence
– Explanation:
My title sequence revolves around the audio,
and encourages active audiences to listen carefully. The voice over recorded
over the titles consists of a motivational speech from the protagonists (the
boxers) point of view. I tried to achieve the accent of the boxer how a
stereotypical boxer may sound but at the same time I wanted to provide tension
and an element of build – up within the speech I recorded. In addition, the
visuals within the mis-en-scene are limited as it primarily engages one out of
the five human senses, instead of the conventional sense of sight, but offered
an alternative to the target audience that would differentiate my title
sequence from the others. And in this case it was hearing that I tried to
stimulate while viewing the start of my opening sequence – the title sequence. In
order for the enhancement of this sound effect to reach its full potential, the
mis-en-scene throughout the entire credit sequence was plain Black and White
text featuring all the conventional credits a stereotypical audience would
expect to see.
Furthermore, the font of
the words appearing in the frame are crucial as it is the only visual
iconography that the audience views. In order to create a generic boxing theme
through the use of the font by incorporating words, I used contemporary block
capitals to express the connotations. Such as: power, determination, passion
etc. Also, the background is always a black, blank screen (with the words
coming and going on top) connoting mystery behind whom this boxer maybe.
The purpose behind the motivational speech
is to connote pride and resilience, signifying the boxer is passionate about
his first ever fight; connoting to the target audience from the boxer’s
perspective, in order to feel a real sense of endearment towards the
protagonist in the opening sequence and potentially form a connection, between
the active audience and the boxer. The syntactic elements within the title
sequence are definitely there, as it sparks an emotional bond between the
audience and the boxer – therefore this relates to Rick Altman’s Genre Theory.
Of course my institutional logo is at the
start of the title sequence with an editing technique of a slow zoom, slowly
but surely getting closer and closer to the logo emphasising who we are and the
fact that we are proud of this particular production. Also, the slow zoom into
the mis-en-scene implements another affect to the audience; in fact, it
actually captures the active audience’s attention that little bit more! How do
I know this? I conducted a small amount of primary research, concerning the
affects of particular editing techniques and it bought me to the conclusion of
the result my group and me have currently established to the title sequence –
the slow zoom affect. This is the exact purpose and intention behind the title
sequence.
Our production institution is called, ‘CCSP
Studios’. This stands for all our last names: Cowley, Carter, Streatfield and
Pereira. It brings an element of friendship and cooperation to our production
company and I feel as it’s a nice touch overall. The simple streetlight
surrounded by black darkness of the night has many connotations behind it but
what’s part of all the mysteriousness is that the audience has to decide for
themselves.
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